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Again directional flow was a big exercise that I practiced while working in this book.

In this page:

• Panel 1 : Boss moves to the right.
• Panel 2 : Foster looks to the right up but is balanced by his shot gun aiming slightly down.
• Panel 3: O’Hare looks down and to the left where he’s spotted something.
• Panel 4: Now Warren and O’Hare look at the camera in a canted shot but look the thing they look at (tracks) lead to the right.
• Panel 5: These tracks now go up but also slightly to the right.
• Panel 6: The hostage is turning left and down to look at the camera in a high angle shot.
• Panel 7:  The guy in the forground (as well as most others) are looking left. Even though one person is running right the attention is on the door on the left.
• Panel 8: The door.  No direction is desired here but if we were to point one out it is that it will swing back to the left.